Julian Charrière

• Controlled Burn, Langen Foundation, Neuss
• Erratic, SFMoMA - San Francisco Museum of Modern Art, San Francisco

• Soothsayers, Dittrich & Schlechtriem, Berlin
• Towards No Earthly Pole, Dallas Museum of Art, Dallas

• Towards No Earthly Pole, Aargauer Kunsthaus, Aarau
• Berliner Luft. Folge 12, Dittrich & Schlechtriem, Berlin
• Thickens, pools, flows, rushes, slows, Sies + Höke, Düsseldorf

• Towards No Earthly Pole, Museo d’arte della Svizzera italiana, Lugano
• Twin Earth (with Marguerite Humeau), SALTS, Basel
• All We Ever Wanted Was Everything and Everywhere, MAMbo - Museo d'Arte Moderna di Bologna, Bologna
• Iroojrilik | Video des Monats, Hessisches Landesmuseums Darmstadt, Darmstadt
• Silent World, Dittrich & Schlechtriem, Berlin
• I Am Afraid, Sies + Höke, Düsseldorf

• Ever Since We Crawled Out, Galerie Tschudi, Zuoz
• I´m afraid I must ask you to leave, Kunstpalais Erlangen, Erlangen
• As We Used to Float, Berlinische Galerie. Museum für Moderne Kunst, Berlin
• An Invitation to Disappear, Barrage de Mauvoisin | Musée de Bagnes, Le Châble
• An Invitation to Disappear, Kunsthalle Mainz, Mainz

• First Light, Galerie Tschudi, Zuoz
• Siempre cuenta cuántos cuentos cuentas (Always count how many tales you tell), Despacio, Costa Rica
• Mönchehaus, Museum Goslar, Goslar
• Objects in mirror might be closer than they appear (with Julian Charrière and Julius von Bismarck), Villa Bernasconi, Grand-Lancy
• Pitch Drop, Sies + Höke, Düsseldorf
• Into The Hollow, Dittrich & Schlechtriem, Berlin
• Desert Now (with Julius von Bismarck, Julian Charrière & Felix Kiessling), Steve Turner, Los Angeles
• For They That Sow the Wind, Parasol Unit Foundation for Contemporary Art, London

• Polygon, Galerie Bugada & Cargnel, Paris

• Somewhere, Rudolf-Scharpf-Galerie, Ludwigshafen
• Future Fossil Spaces, Museé cantonal des Beaux-Arts de Lausanne, Lausanne
• Die Welt ist Mittelgross, Kunstverein Arnsberg, Arnsberg
• Clockwork, OBEN, Vienna
• We are all Astronauts, Centre Culturel Suisse, Paris

• On The Sidewalk, I Have Forgotten The Dinosauria, Dittrich & Schlechtriem, Berlin

• Non Sites Sight, Case Studio Vogt, Zurich

• Dominions, Program e.V, in collaboration with Andreas Greiner, Berlin
• Horizons, Dittrich & Schlechtriem, Berlin

• Beyond a Certain Point There is No Return, Space for contemporary art and culture, Rotterdam, Netherlands
• Prima Materia: The Periodic Table in Contemporary Art, The Aldrich Contemporary Art Museum, Ridgefield, USA

• Les Portes du possible. Art & science-fiction, Centre Pompidou-Metz, Metz, France
• Line Up, Galerie Tschudi, Zurich, Switzerland
• Life Eternal, Nobel Prize Museum at Liljevalchs Konsthall, Stockholm, Sweden
• Sonic acts Biennial 2022: one sun after another, Sonic Acts at W139, Amsterdam, Netherlands
• Ewiges Eis, Museum Sinclair-Haus, Bad Homburg
• Print Art Now – Collecting at Edition VFO, Musée Jenisch Vevey, Vevey, Switzerland
• The 16th Lyon Biennale of Contemporary Art: Manifesto of Fragility, Lyon
• Centre Culturel Suisse. On Tour at The 16th Lyon Biennale of Contemporary Art, Centre Culturel Suisse at Résidence de la Confédération suisse à Lyon, Caluire-et-Cuire, France
• talking to a stranger, Muthesius Kunsthochschule, Kiel, Germany
• Artocène 2022, Artocène, Hangar de la Compagnie du Mont-Blanc, Charmonix-Mont-Blanc
• The Wave: An Exhibition, Collecteurs, New York
• Biennale Bregaglia 2022, Biennale Bregaglia, Vicosoprano
• Homosphere, Kunsthalle Mainz, Mainz
• Welt aus den Fugen – 9 zeitgenössische Installationen, Kunstmuseum Winterthur, Winterthur
• Before · Between · Beyond. The collection in transition, Aargauer Kunsthaus, Aarau
• Novacène – UTOPIA, the 6th thematic edition of lille3000, lille3000, Lille Cedex
• Vogt Landschaftsarchitekten – The Invisible Street, Architektur Galerie Berlin, Berlin
• Boros Collection #4, Boros Collection, Berlin
• Othering, Dittrich & Schlechtriem, Berlin
• Uncombed, Unforeseen, Unconstrained, Conservatorio di Musica Benedetto Marcello di Venezia
• Climate of Concern: Burning Out in the Age of Fossil Expressionism, RADIUS, Delft
• Vertigo, ARoS Aarhus Kunstmuseum, Aarhus
• Perspectives #02. Les nouvelles œuvres de la collection, Frac Alsace, Sélestat Cedex
• Im Wald. Eine Kulturgeschichte, Schweizerisches Nationalmuseum, Zurich

• Julian Charriere & Katie Paterson. Vertigo, Galerie Tschudi, Zuoz
• Ensemble au château!, Le château de Nyon & Banque Cantonale Vaudoise, Nyon
• WIDE OPEN. INS OFFENE - Zeitgenössische Fotografie & Skulptur aus Glas, Alexander Tutsek-Stiftung, Munich
• Inaspettatamente, Frédéric de Goldschmidt Collection, Brussels
• Earth Beats. Naturbild im Wandel, Kunsthaus Zurich, Zurich
• Schwarzes Licht, Kunstmuseum Solothurn, Solothurn
• Prix Marcel Duchamp 2021, Centre Pompidou, Paris
• Hans-Purrmann-Preis, Kulturhof Flachsgasse, Speyer
• Biocenosis - Art of Change 21, Parc Chanot, Marseille
• On Display V, Sammlung Philara, Düsseldorf
• How Will We Live Together?, The 17th International Architecture Exhibition, Venice
• Guangzhou Image Triennial, Guangdong Museum of Art, Guangdong Province
• Im Wald, Kunsthaus Grenchen, Grenchen
• Angespannte Zustände, Staatsgalerie Stuttgart, Stuttgart

• 2020 YEAR OF THE RAT, Dittrich & Schlechtriem, Berlin
• Potential Worlds 2: Eco-Fictions, Migros Museum für Gegenwartskunst, Zurich
• Tiger in Space, Contemporary Art Museum of Estonia, Tallinn
• Studio Berlin, Berghain, Berlin
• Global Media Forum 2020: Pluralism. Populism. Journalism., World Conference Center Bonn (WCCB), Bonn
• Critical Zones - Observatories for Earthly Politics, ZKM Karlsruhe, Karlsruhe
• La collection, Musée des Beaux-Arts Lausanne, Lausanne
• Modell-Naturen in der zeitgenössischen Fotografie, Alfred Ehrhardt Stiftung, Berlin

• Absolutely Tschudi, Galerie Tschudi, Zuoz
• Water, Queensland Art Gallery of Modern Art, Queensland
• El cuarto mundo – 14 Bienal de Artes Mediales de Santiago, Museo de Arte Contemporaneo, Santiago
• Nowness Experiments: The Mesh, K11 Foundation, Shanghai
• The Drowned World, The Toronto Biennial of Art, Toronto
• Modell-Naturen in der zeitgenössischen Fotografie, Stadtgalerie Kiel, Kiel
• Modell-Naturen in der zeitgenössischen Fotografie, Museum Haus Ludwig, Saarlouis
• Artists Need to Create on the Same Scale that Society Has the Capacity to Destroy: Mare Nostrum, The Brooklyn Rail, Collateral Event at 58th International Art Exhibition – La Biennale di Venezia, Venice
• Creatures – When Species Meet, CAC Contemporary Arts Center, Cincinnati
• Nature in Art, MOCAK - Museum of Contemporary Art in Krakow, Krakow
• Elementarteile. 40 Jahre Kunst im Sprengel Museum, Sprengel Museum, Hanover
• Futurs incertains, Musée d’art de Pully, Pully
• Tomorrow is the Question, ARoS Aarhus Kunstmuseum, Aarhus
• Memoria del sublime. Il paesaggio nel secolo XXI, Museo Villa dei Cedri, Bellinzona
• Modell-Naturen in der zeitgenössischen Fotografie, Kallmann-Museum Ismaning, Ismaning
• La Fabrique du Vivant, Centre Pompidou, Paris

• Post-Nature—A Museum as an Ecosystem | 11th Taipei Biennial, Taipei Fine Arts Museum, Taipei
• Entangle / Physics and the Artistic Imagination, Bildmuseet, Umeå
• Wildnis, Schirn Kunsthalle, Frankfurt am Main
• Zeitspuren - The Power of Now, Pasquart. Kunsthaus Centre D'Art, Bienne
• Frankenstein’s Birthday Party, Hosfelt Gallery, San Francisco
• Parcours, Art Basel, Basel
• Everything Was Forever Until It Was No More, The Riga International Biennial of Contemporary Art, Riga
• Adapt to Survive: Notes from the Future, HENI Project Space, Hayward Gallery, London
• Swiss Institute Presents: Objects in Mirror Might Be Closer Than They Appear, Anthology Film Archives, New York
• There Will Come Soft Rains, Basis, Frankfurt
• Artefact expo: This Rare Earth – Stories from Below, STUK, Leuven
• Océans - Une vision du monde au rythme des vagues, Le Fresnoy, Tourcoing Cedex

• Beobachtung, Dittrich & Schlechtriem, Berlin
• Apocalypse – End Without End, Naturhistorisches Museum, Bern
• Festival of Future Nows, Hamburger Bahnhof, Berlin
• Le Rêve des Formes, Palais de Tokyo, Paris
• PRODUKTION. made in germany drei, Sprengel Museum, Hanover
• Tidalectics, TBA21 - Thyssen-Bornemisza Art Contemporary, Vienna
• De Nature en Sculpture, Villa Datris, Fondation pour la sculpture contemporaine, L’Isle sur la Sorgue
• Viva Arte Viva, 57th International Art Exhibition, Venice Biennale, Venice
• Crowd workers, immortalité et post-photographie, Journées photographiques de Bienne, Bienne
• Notes On Our Equilibrium, CAB Art Center, Brussels
• Metamorfosi. Uno sguardo alla scultura contemporanea, Museo d’arte, Mendrisio
• Biotopia, Kunsthalle Mainz, Mainz
• The 1st Antarctic Biennale, Antartic

• Nuit blanche, Villa Médicis, Rome
• Zeitgeist – Arte Da Nova Berlim, Centro Cultural Banco do Brasil (CCBB), Rio de Janeiro
• The End of the World, Centro per l'arte Contemporanea Luigi Pecci, Prato
• Expérience Pommery #13 - Gigantesque !, Domaine Pommery, Reims
• La timidité des cimes, Le Parvis centre d’art contemporain, Tarbes
• +ultra. gestaltung schafft wissen, Martin-Gropius-Bau, Berlin
• The Edge of the Earth, Ryerson Image Centre, Toronto
• The Forces Behind The Forms. Geological History, Matter and Process in Contemporary Art, Kunstmuseum Thun, Thun
• Zeit verstreichen - Moment und Dauer in der Gegenwartskunst, Kunstmuseum Solothurn, Solothurn
• Deep Inside, 5th Moscow International Biennale for Young Art, Moscow
• You Are What You are, Galleria Mario Iannelli, Rome
• Hybrid Modus. Hybrid Modus New positions in bio-, living- and digital sculpture, Skulptur Bredelar 2016, Bredelar Monastery, Bredelar
• Interractions n°4, Les Abattoirs, FRAC Midi-Pyrénées, Toulouse
• not really really, Frédéric de Goldschmidt Collection, Brussels
• In Space No One Can Hear Your Laugh, Galleria Giovanni Bonelli, Milano
• The Forces Behind The Forms. Geological History, Matter and Process in Contemporary Art, Kunstmuseen Krefeld, Museen Haus Lange und Haus Esters, Krefeld
• from science to fiction, florian christopher - Verein für Gegenwartskunst, c/o K3 project space, Zurich
• No One Belongs Here More Than You, Despacio, Costa Rica

• 30 Years, Galerie Tschudi, Zuoz
• The Forces Behind The Forms. Geological History, Matter and Process in Contemporary Art, Galerie Taxispalais, Innsbruck
• Stranger than Paradise, Sies + Höke, Düsseldorf
• Climats Artificiels, Espace Fondation EDF, Paris
• Wanderer Above the Sea of Fog, Galerie Bugada & Cargnel, Paris
• Kiefer Hablitzel Preis 2015, Kunsthaus Glarus, Glarus
• As revolucoes que nos inventaram, Oca - Parque do Ibirapuera, São Paolo
• Swiss Art Awards / Kiefer-Hablitzel, Basel
• Waterbound - Vom Leben mit dem Wasser, Neue Galerie Dachau, Dachau
• The C Art Collection, Carnelutti Law Firm, Milan
• Playing future, Kunsthalle zu Kiel, Kiel
• Destination Vienna, Kunsthalle Wien, Vienna
• Systémique, CEAAC, Centre Européen d'Actions Artistiques Contemporaines, Strasbourg
• Rare Earth, TBA21 | Thyssen-Bornemisza Art Contemporary, Vienna
• The Future of Memory, Kunsthalle Wien, Vienna

• The Go Between: a selection of international emerging artists from the Ernesto Esposito Collection, Museo nazionale di Capodimonte, Naples
• Kochi, -Muziris Biennale, Fort Kochi, Kerala
• Métamorphisme, II, Musée d'art du Valais, Sion
• Mira mira, Neue Jahresgaben, Kunstverein Arnsberg, Arnsberg
• Festival of Future Nows, Neue Nationalgalerie, Berlin
• De Generation of Painting, Fondazione 107, Turin
• Talent, 401 Contemporary, Berlin
• One Place Next to Another, Winzavod Center for Contemporary Art, Moscow
• Le Triennale du Valais, Le Triennale du Valais
• Devant, derrière, Trudelhaus Baden, Aargau
• Treasures of Lima: A Buried Exhibition, Thyssen-Bornemisza Art Contemporary Academy, Isla del Coco, Costa Rica
• Einblicke in der Sammlung Wemhöner, Osram-Höfe, Berlin
• Jenseits der Ansichtskarte. Die Alpen in der Fotografie, Vorarlberg Museum, Bregenz
• The Figure in the Carpet, Galerie Bugada & Cargnel, Paris

• Come All Ye Faithful, Florian Christopher, Zurich
• IBB Photography Award, IBB Atrium, Berlin
• Jenseits der Ansichtskarte: Die Alpen in der Photographie, Galerie Stihl, Waiblingen
• Das Numen - Momentum, DAZ, Deutsches Architektur Zentrum, Berlin
• Let's Invent a Language to Narrate My Story, Dienstgebäude, Zurich
• Des Présents Inachevés, Les Modules du Palais de Tokyo at 12th Art Biennale de Lyon, Lyon
• move, – align – avid / Vom Schwarm als Prinzip and Phäenomen, Kunstverein Hamburger Bahnhof, Hamburg
• Das Numen Sonor, Schinkel Pavillon, Berlin
• Public Abstraction Private Construction VI VII, Kunstverein Arnsberg, Arnsberg
• Accidental, Accomplishment, Institut für Raumexperimente, Berlin
• Rules of Attraction, insitu, Berlin
• Ich bin dein Nachbar!, Bromer Art Collection, Roggwil
• (N)on site, km temporaer, Berlin
• Umfall am Mittelpunkt Deutschlands, Alexander Levy Galerie, Berlin
• Junge Positionen: Kapitel II/Berlin, Galerie Rigassi, Bern
• Lovin, ' it, Symbol and Contradiction, Bromer Art Collection, Roggwil
• New Works, Dittrich & Schlechtriem, Berlin
• Winner Regina Pistor Price, Universität der Künste, Berlin

• Adytron, I, Barcelona
• Grosses, Feld, Institut für Raumexperimente, Jan Meda, Addis Ababa
• Addis Fotofest, Addis Ababa University, Addis Ababa, Ethiopia
• Color, Upon Paper Space, Berlin
• Common Ground, 13th International Architecture Exhibition – La Biennale di Venezia, a collaboration with Julius von Bismarck, supported by Vogt Landscape Architects Ltd., Venice
• Heiliges Leben, UDK, Berlin
• Life Clock, Den Frie, Center for Contemporary Art, Copenhagen
• Swiss Art Award, Basel
• The World is Not Fair, Die Grosse Weltausstellung, Tempelhof, Berlin
• Junge, Positionen : Kapitel II/ Berlin, Galerie Rigassi, Bern
• Glasauge, Group Show – Class Olafur Eliasson, Berlin
• Adytron, I, Barcelona
• Non Sites Sight, Case Studio, Vogt, Zurich

• Your, Body of Work, Goethe Institut, São Paulo
• Das Numen Transformation, Haus am Lützowplatz, Berlin
• Fragments of an Unknown City, Krasnoe Znamya (Red Banner Factory), Saint Petersburg
• Berlin 2000- - Playing among the Ruins, MOT, Museum of Contemporary Art Tokyo, Tokyo
• Ideas, are Motion, Multimedijalmi Institut – MAMA, Zagreb
• Abstract Pocket Collection, Espace Abstract, Lausanne
• Über Lebens Kunst, Haus der Kulturen der Welt, Berlin
• Mapping Everything, Universität der Künste, Berlin
• Ausstellung im Kunsthof, Kunsthof, Zurich
• Art & Architecture, Espace Culturel Assens, Assens
• Le Grand Final, Kunstandt Reinickendorf, Galerie Atelier-Ollermann, Berlin
• Day Light, 401 Contemporary, Berlin
• 100° Festival, Hebbel am Ufer, Berlin
• Without Destination, Reykjavik Art Museum, Reykjavik

• Artpoint, Donetsk
• Tangente, La Placette, Lausanne
• Auflösung, die letzten Grenzen Fallen, Fabian Knecht, Haus am Lützowplatz, Berlin
• Geist, III, unknown place in Berlin
• Rahmenprogramm, Grosse Hamburger Strasse, Berlin
• Let's, Start to Implement Little Eerrors, Institut für Raumexperimente, Berlin
• Théorie des modèles-Art & Science: trop simple, trop complexe, Espace d'exposition de la Head, Genève
• Das Numen, HBC, Berlin

• Neutrino/ en hommage à mon ami Thomas Baumgartner, HBC, Berlin
• Geist II, Friedrichstrasse, 112B, Berlin

• Géometria, physiké, Galerie-Atelier Oellermann, Berlin-Reinickendorf
• Das Schilff, Joanna Render Galerie, Berlin Mitte

• Georg Amdahl: Durch das kalte Feuer des Barocks, Frankfurter Allgemeine Zeitung, Octobre
• Kevin Hanschke: "Kunst brauch die Natur", Collectors Agenda, March

• Alexandra Gilliams: You Need to Understand That You Are Lost Before Finding Your Way, Xibt Magazine, July
• Danielle Avram: Fire And Ice - And Humans, The Dallas Morning News, June
• Gunnar Lützwo: Wanderer zwischen den Welten, mare - Die Zeitschrift der Meere, February

• Uta Baier: Kunst Klima Zukunft, PARNASS, December
• Helga Kromp-Kolb: "Pessimismus ist nicht angesagt", PARNASS, September
• Eva Karcher: Expedition zur Erde, ZEIT Wissen, April

• David Streiff Corti: Wenn der Künstler zum Umweltaktivisten gemacht wird, Neue Zürcher Zeitung, December
• Susanna Kueberle: Was den Augen weh tut, swiss-architects, November
• Leonie Pfenning: Zwischen Schönheit und Katastrophe, Monopol, October
• Claire Selvin: How Art About Environmental Destruction and ‘Fake News’ Made Explosive Headlines Across the Land, ARTnews, October
• Annegrer Erhard: Diese Kunst ist radioaktiv verseucht, Neue Zürcher Zeitung, June
• Andrea Lucia Brun: Rave unter Palmen, L'Officiel Art, April
• Swantje Karich: How Two Berlin Artists Fooled American Media, Welt am Sonntag, March (english version)
• Swantje Karich: Explodierende Wahrheiten, Welt am Sonntag, March (german version)
• Nadim Samman and Julian Charrière: An Artist and a Curator’s Death-Defying Dives 200 Feet below the Pacific, artsy, February
• Hartmut Böhme: Tote Natur? - Stein und Petrefakt, Wüste und Arktis als Dimensionen der Kuns im Anthropozän, Kunstforum Nr. 258, Januar/February
• Sebastian Naumann: Diese Kunst ist total verstrahlt - Berliner Künstler holt das verseuchte Bikini-Atoll in die Hauptstadt, Berliner Zeitung, January

• Anna Sansom: THE WANDERLUST - Julian Charrière: Art's natural witness, Damn° Magazine, November
• Adriano Sack: Wir sind einfach losgerannt ins Unbekannte, Mr. Icon, October
• Sandra Danicke: Apokalypse Wow, Art Magazin, November
• Elke Buhr: GASAG Kunstpreis - Julian Charrière im Flow, Monopol, September
• Christiane Meixner: Julian Charriére - Der ewig Reisende, Tagesspiegel, September
• Ute Cohen: Schöne Narbe, Der Freitag, September
• Sabine Rusterholz Petko: Julian Charrière - Eine Einladung zum Verschwinden, Kunstbulletin, June
• Katharina Cichosch: Shows.Review - Julian Charrière, Monopol, May
• Christoph Schütte: Im Spannungsfeld von Natur und Zivilisation, Frankfurter Allgemeine, April

• Top 100, Monopol, December
• Jane Morris: Interview: the name's Charrière, Julian Charrière, The Art Newspaper, June
• Frédéric Schwilden: Das Salz von Venedig, Focus, May
• Nadim Samman: Zu den abgelegensten Atollen der Marshallinseln, Monopol, January

• Laura Cumming: I maybe some time..., The Observer, April
• Penny Victoria Rafferty: Fossilising the Future, Sleek, April
• Robin Scher: What sustains this digital world?: Julian Charrière on his man-made rocks at the Armory Show, Artnews, April
• Mizota Mizota: Review Artists turn L.A. gallery into a museum of nuclear dystopia, Los Angeles Times, April
• Priscilla Gomez: 40 rutas para explorar el arte conceptual, La Nación, March
• Garde Ruth: Smart art that will make you reconsider your smartphone, Apollo The International Art Magazine, March
• Thomas van Loocke: A Review of Julian CHARRIÈRE's Show, 'For They That Sow the Wind', and an Interview with the Artist, Artdependence Magazine, March
• Molly Gottschalk: 10 Emerging Artists to Watch at The Armory Show, Artsy, March
• Emily Steer: Julian Charrière : Interview, Elephant Magazine
• Alice Montanini: Julian CHARRIÈRE: For They That Sow the Wind, CuratingTheContemporary, February
• Ali Morris: Outsider art: Julian Charrière brings his globe-trotting artworks to London, Wallpaper, January
• Laura Cumming: Julian Charrière: For They That Sow the Wind review – bracing and beautiful, The Guardian, January
• Ed Paginton: Julian CHARRIÈRE, Modern Weekly

• Julian Charrière: For They That Sow The Wind at Parasol Unit, London, Aesthetica, December
• 16 Emerging Artists to Watch in 2016, Artsy, December
• L’art à l’heure de la COP 21, Le Républiquie de l'art, December
• Julian Charrière: For They That Sow the Wind, FTWeekend, December
• Laura Cumming: I may be some time, The Observer, December
• Elisabeth Chardon: Une image altérée par les rayonnements nucléaires des essais militaires soviétiques, Le Temps, October
• Benoit Guillaume: Wanderer above the Sea of Fog — Galerie Bugada & Cargnel, Slash.fr, October
• Isabelle Spicer: ABC rentre dans le rang, Le Journal des Arts, October
• Sleek Magazine Spring 2015
• Roxana Azimi: Julian Charrière est au cœur de cette question centrale pour le présent et le futur de l’humanité : l’Anthropocène
• Anna Sansom: Julian Charrière – Polygon, Damn, May
• Le prix Meurice pour l'art contemporain dévoile sa shortlist, Le Quotidien de l'art, May
• Pascal Bernard: Julian Charrière : passé, présent, futur Paricultures, May
• Katharina Schendl: Jardín energético Harper's Bazaar Art Latin America, May
• Jean-Max Colard: Lee Bul et Julian Charrière : apocalypses now, Les Inrocks, April
• Frédéric Bonnet: Les Traces laissées sont des ponts entre le passé et le futur, Le Journal des Arts, April
• Interview Magazine Februar 2015
• Jean-Max Colard: Terminus radieux, Les Inrockuptibles, April
• Monopol Englisch Februar 2015
• Monopol Februar 2015
• Eva Scherly: The wonderful world of Julian Charrière, Wall Street International, January
• Monopol Januar 2015

• Kunstforum November 2014
• Elisabeth Chardon: Prix culturels manor Vaud et Genève 2014, un millésime à apprécier, Le Temps, November
• Silke Hohmann: Eliassons Erben, Monopol, November
• Le Temps Oktober 2014
• Elisabeth von Thurn und Taxis: Julian Charrière, über sein, Weltkunst, August
• Elisabeth Thomas: Finding the missing link, Deccan Chronicle, July
• Rebecca Lamarche-Vadel: Nous sommes tous des astronautes, Le Phare No.16
• David Khalat: Julian Charrière, Quottom Magazine, April
• Valérie De Maulmin: Julian Charrière, I'esprit et la matière, Connaissance des arts, February

• Pierluigi Panza: I piccioni di Venezia colorati, I'ultima frontiera dell'arte, Il Corriere della Sera, August
• The European Issue 4/2012
• Künstler, die uns aufgefallen sind: Julian Charrière, Monopol 11/2012, November