Julian Charrière
As We Used to Float
Sep 27th, 2018 – Apr 1st, 2019
Berlinische Galerie. Museum für Moderne Kunst, Berlin
Copyright Julian Charrière; VG Bild-Kunst, Bonn 2018; Dittrich & Schlechtriem, Berlin; Sies + Höke, Düsseldorf; Photo Jens Ziehe
Copyright Julian Charrière; VG Bild-Kunst, Bonn 2018; Dittrich & Schlechtriem, Berlin; Sies + Höke, Düsseldorf; Photo Jens Ziehe
Copyright Julian Charrière; VG Bild-Kunst, Bonn 2018; Dittrich & Schlechtriem, Berlin; Sies + Höke, Düsseldorf; Photo Jens Ziehe
Copyright Julian Charrière; VG Bild-Kunst, Bonn 2018; Dittrich & Schlechtriem, Berlin; Sies + Höke, Düsseldorf; Photo Jens Ziehe
Copyright Julian Charrière; VG Bild-Kunst, Bonn 2018; Dittrich & Schlechtriem, Berlin; Sies + Höke, Düsseldorf; Photo Jens Ziehe
Copyright Julian Charrière; VG Bild-Kunst, Bonn 2018; Dittrich & Schlechtriem, Berlin; Sies + Höke, Düsseldorf; Photo Jens Ziehe
Copyright Julian Charrière; VG Bild-Kunst, Bonn 2018; Dittrich & Schlechtriem, Berlin; Galerie Tschudi, Zuoz; Sean Kelly, New York; Sies + Höke, Düsseldorf; Photo Jens Ziehe
Copyright Julian Charrière; VG Bild-Kunst, Bonn 2018; Dittrich & Schlechtriem, Berlin; Sies + Höke, Düsseldorf; Photo Jens Ziehe
Copyright Julian Charrière; VG Bild-Kunst, Bonn 2018; Dittrich & Schlechtriem, Berlin; Sies + Höke, Düsseldorf; Photo Jens Ziehe
Copyright Julian Charrière; VG Bild-Kunst, Bonn 2018; Dittrich & Schlechtriem, Berlin; Sies + Höke, Düsseldorf; Photo Jens Ziehe
Copyright Julian Charrière; VG Bild-Kunst, Bonn 2018; Dittrich & Schlechtriem, Berlin; Sies + Höke, Düsseldorf; Photo Jens Ziehe
Seventy years after the United States began testing thermonuclear weapons at Bikini Atoll, the artist set off on an expedition to an area rendered permanently uninhabitable for human life as a result of the environmental contamination. As We Used to Float is a physical, three-dimensional experience that reveals the legacy of those atomic tests both above and below sea level. These unintentional monuments symbolise the interaction between anthropogenic and natural transformations. For Julian Charrière, they also mark the point in history when humans became one of the biggest factors influencing biological, geological and atmospheric processes on Earth.
