Julian Charriere presents his most ambitious solo exhibition to date at Langen Foundation. Controlled Burn will occupy the whole of the Tadao Ando designed museum in Neuss. Featuring 8 new commissions set within a constellation of major works from Charrière’s oeuvre, the exhibition represents the artist’s most extensive exhibition to date.
Wieser’s site specific wallwork for The Leadenhall Building weaves various narratives—fictive, biographical, historical—into a backdrop that functions like a stage, encouraging the viewer to consider his or her place in time at the center of a great human drama that unfolds recurrently and relentlessly.
The group exhibition Uncombed, Unforeseen, Unconstrained is a Collateral Event of the 59th International Art Exhibition La Biennale di Venezia 2022.
Naufus Ramírez-Figueroa creates dreamlike works of art with elements from literature, folklore, magic and childhood memories. His performances, sculptures and installations are rooted in experimental theatre and they have a political activist side too. In particular, the tragic civil war in his homeland Guatemala (1960-1996) is a recurring theme.
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The current situation gave rise to the idea of an exhibition about color, joy, and happiness, which is meant to put a smile on our faces, even if just for a moment. Its focus is the joie de vivre and euphoria that art can make us feel.
We are delighted to announce our ninth solo exhibition with Marcel Dzama this spring!
Tactiles is conceived as a site-specific painting, where primordial architectural structures give a new rhythm to the use of the exhibition space, that becomes a support to the artist’s practice where colors seem to emerge spontaneously from the space itself, inserting landscapes within landscapes and creating something that seems to have always been there.
In Paul Hutchinson's work, we encounter his city and his language, at times cautiously, at times brutally, never indifferent. In his texts and photographs alike, sensation exists through the tender and the rough cohabiting.