Henning Strassburger

12. Apr. – 11. Mai 2024

Claudia Wieser
The Auratic Object

12. Apr. – 11. Mai 2024

Fragments | mor charpentier at Caprii
feat. Lara Almarcegui, Fabien Conti, Teresa Margolles, Théo Mercier, Daniel Otero Torres and Nohemí Pérez

12. Apr. – 11. Mai 2024
Caprii, Düsseldorf

Group show feat. Hedda Roman
Apr 13th — Aug 4th, 2024
K21 – Kunstsammlung NRW

Nine contemporary artists respond to upheavals in the urban space. The exhibition takes visitors to Beirut and Dhaka, Los Angeles, Berlin, Brasilia, and Naples. Film installations, videos, photographs, and books explore the themes of loss and destruction, memory and reconstruction. The focus here is on the city as a site of questions about the future, where new possibilities for communal life are constantly being negotiated. The “forthcoming“ becomes a moment of speculation about decay, renewal, and traces of the past in what is only just emerging.

Copyright the artist; VG Bild-Kunst, Bonn; von Bartha, Basel; Galerie Nordenhake, Berlin/Stockholm/Mexico City; Sies + Höke, Düsseldorf; Photo Ben Köchlin

Apr 5th – Jun 16th, 2024
Staatsgalerie Stuttgart, Stuttgart

To mark the reopening of the newly renovated art building in the centre of Stuttgart, the Staatsgalerie Stuttgart presents sculptures from its own collection with a production by the artist Florian Slotawa. In this new staging of his highly successful homonymous presentation at Hamburg's Deichtorhallen in 2018, the Italian-based artist is shows sculptures from the Staatsgalerie's collection in new contexts and unusual arrangements.


March 24, 2024 | 3 pm
Lecture-Performance at Projektbüro DFI e.V.

The work of Hedda Roman is based on the formulation of artistic questions in the context of the continuously evolving framework conditions of digital image generation processes. In the lecture performance On Generative Art or How to Fall in Love with the Loss Function, which is followed by a discussion, the artist duo invites us to reflect together on the current state of artificial image generation. The first part of the event, moderated by Ania Kołyszko, will shed light on the basics of AI in theory and practice. This will be followed by an open discussion on the opportunities, challenges and problems that AI offers for artistic practice.

The event will be held in German and English. As the number of participants is limited, please register at silvana.alberti@dfi-ev.org.

Opening Mar 25th, 5 – 8 pm
Mar 26th – Apr 26th, 2024

Andi Fischer opens his first solo exhibition auwee in Hong Kong, presenting new works created specifically for the yee society.

To coincide with the new lunar year, the artist takes on a new mythical creature: the dragon. In contrast to its European relative, which must invariably be defeated or impaled, the dragon has been symbolising good fortune and strength in Southeast Asia since the Han dynasty. As in Chinese mythology, Andi Fischer's dragon is made up of various animals.


The duplicate's eyes gently ignited a kinship with the other side, and a fleeting thought lingered between us:
I could be.

– Oldboy, Quote from video excerpt by Hedda Roman.

On March 2nd, 2024, Hedda Roman's first fashion collaboration debuted at Paris Fashion Week as part of Galvan London's Autumn Winter 2024 presentation.

The collection, titled A fleeting thought, was developed in close exchange between Galvan London's creative director Anna-Christin Haas and the artist duo and is a timely exploration of the human need for constant transformation through self-reflection, and the growing ambivalence regarding what it means to be human in the context of future technologies.

A specially-created video work by Hedda Roman opened the evening in a genre-defying dance performance crafted together with the renowned choreographer Imre van Opstal, to the notes of composer and pianist, Joep Beving.

Mar 8th – May 31st, 2024
López de la Serna CAC, Madrid

The first solo exhibition of Justin de Verteuil in Spain opens at López de la Serna CAC, Madrid on March 7th. Throughout his practice De Verteuil is led by an intuitive rhythm and logic, creating subtle compositions that explore the tensions and complexities of revealing ones true face in interpersonal relationships.

• English/German, Softcover
• 96 pages
• 26.5 x 21 cm
• ISBN 978-3-932729-40-9 / 978-3-8296-1011-7
• Text by Dieter Schwarz
• Design by Studio Thomas Spallek
• Published by Sies + Höke and Schirmer/Mosel


Feb 13th, 6 pm
MIT Green Building (Building 54, Room 100) 21 Ames Street Cambridge, MA 02139

In celebration of one of the newest additions to MIT’s Public Art Collection, Julian Charrière participates in an artist talk, exploring his site-specific work that serves as the new lobby and grand entryway to the Department of Earth, Atmospheric, and Planetary Sciences, the Environmental Solutions Initiative, and the MIT-Woods Hole Oceanographic Institute Joint Program.

Feb 2nd – Mar 3rd, 2024
99 Canal, New York

Curated by Marco Bene, Animal Farm entices the observer on a visual odyssey exalted by pastoral solace, animist minstrelsy and metaphysical riddles – ghosts, ghouls and goblins – offering fleeting glimpses of an alterity existing between techne and poiesis, the human and the non-human, the nocturnal and the diurnal. Through over a dozen new 16 mm film projections we are invited to explore the latest toils in a long-lasting inquiry into analogue means and analogue concepts. A journey towards an eco-friendly estrangement from the extractivist rural landscape.

New Commission for Frankfurt Terminal 3

Fraport Ausbau Süd GmbH has commissioned Julius von Bismarck to produce a site-specific art installation for Frankfurt's new check-in hall at Terminal 3, planned for completion in 2025. "Airports are very special places of connection and cultural encounters, despite their often functional and commercial appearance. The challenge of developing art for such a place has always appealed to me. They are places of connection where travelers are in a special state of mind. They have to get involved in a new environment, accept a different culture and different norms," says von Bismarck.

Dec 9th, 2023 – Jun 9th, 2024
McMichael Canadian Art Collection, Toronto

Ghosts of Canoe Lake: New Work by Marcel Dzama celebrates a new body of work inspired by the artist’s interest in Tom Thomson and the Group of Seven, recalling as well his childhood spent in the landscape of Manitoba and Saskatchewan.

Featuring paintings, installation, and video, Ghosts of Canoe Lake: New Work by Marcel Dzama is the first major exhibition of Dzama’s work in Canada in nearly a decade.

Copyright the artist; VG Bild-Kunst, Bonn; Sies + Höke, Düsseldorf; Photo Julian Charrière

Dec 1st, 2023 – Jan 6th, 2024
Warehouse 50, Alserkal Avenue, Dubai

“Melting Point” creates a kaleidoscopic vision of the glaciers, showing them at a critical point in time. The exhibition transports the viewer into a frozen world, where towering glaciers emerge from a polar darkness and the visitor soars over bright Arctic vistas. A collaboration between Alserkal Initiatives, Art of Change 21, and Studio Julian Charrière, the exhibition is part of Art of Change’s “Art at COP28'' programming.

Copyright the artists; TRAFO, Szczecin; Sies + Höke, Düsseldorf

Opening | Dec 7th, 2023
Dec 8th, 2023 — Mar 24th, 2024

The show at TRAFO Center for Contemporary Art in Szczecin is the first presentation of Jonathan Meese’s multimedia works in Poland.