Michael van Ofen
Signifier and décor of political power in: Porträt Constantin von Alvensleben auf dem Schlachtfeld von Vionville (16.August 1870), 164x115, 1903
2013

  • Copyright the artist; Sies + Höke, Düsseldorf; Collezione Maramotti, Reggio Emilia; Photo Ivo Faber

Oil on canvas
52 x 38 cm

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About Michael van Ofen

Michael van Ofen paints representational images that are tightly cropped or simplified to the point of abstraction, just beyond immediate recognition.

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Other Artworks by Michael van Ofen

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  • Michael van Ofen
    The Psychology of the Posture (Two Heraldic Colours), in: Théodore Géricault, Trumpeter of the Hussars Seated, 1814-15, Oil on Canvas, 46 x 38 cm
    2019
  • Michael van Ofen
    After Paul Hippolyte Delaroche
    2019
  • Michael van Ofen
    Sketch after Hubert Robert, Plundering the Royal Vaults at Saint Denis in October 1793, Charcoal and Chalk on Cardboard
    2019
  • Michael van Ofen
    The Colours of the Superior, in Emile Jean Horace Vernet: The Battle at the Bridge of Arcole, 1826, Oil on canvas, 194 x 260 cm
    2019
  • Michael van Ofen
    The Psychology of the Posture, in: Charles Lock Eastlake, Napoleon Bonaparte on Board the 'Bellerophon' in Plymouth Sound, 1815, Oil on Canvas, 259 x 179 cm
    2019
  • Michael van Ofen
    Der Kampf um das Rathaus am 28. Juli 1830
    2017
  • Michael van Ofen
    "The wife of a Timucuan chief" by John White after Jacques Le Moyne
    2016
  • Michael van Ofen
    Virtue Turn 9
    2017
  • Michael van Ofen
    Plants and tattoes after Jean-Baptiste Debret
    2016
  • Michael van Ofen
    Virtue Turn 8
    2016
  • Michael van Ofen
    Untitled (After unknown artist)
    2016
  • Michael van Ofen
    Untitled
    2015

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    2020
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