Michael van Ofen
Linear Emphasis of the Subject in: “Die Eroeffnung des Reichstags im Weissen Saal des Berliner Schlosses durch Wilhelm II. “, 1893, 387 x 642 cm
2013

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  Copyright the artist; Sies + Höke, Düsseldorf; Collezione Maramotti, Reggio Emilia; Photo Dario Lasagni

Oil on canvas
200 x 220 cm

About Michael van Ofen

Michael van Ofen paints representational images that are tightly cropped or simplified to the point of abstraction, just beyond immediate recognition.

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Other Artworks by Michael van Ofen

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• Michael van Ofen
  The Psychology of the Posture (Two Heraldic Colours), in: Théodore Géricault, Trumpeter of the Hussars Seated, 1814-15, Oil on Canvas, 46 x 38 cm
  2019
• Michael van Ofen
  After Paul Hippolyte Delaroche
  2019
• Michael van Ofen
  Sketch after Hubert Robert, Plundering the Royal Vaults at Saint Denis in October 1793, Charcoal and Chalk on Cardboard
  2019
• Michael van Ofen
  The Colours of the Superior, in Emile Jean Horace Vernet: The Battle at the Bridge of Arcole, 1826, Oil on canvas, 194 x 260 cm
  2019
• Michael van Ofen
  The Psychology of the Posture, in: Charles Lock Eastlake, Napoleon Bonaparte on Board the 'Bellerophon' in Plymouth Sound, 1815, Oil on Canvas, 259 x 179 cm
  2019
• Michael van Ofen
  Der Kampf um das Rathaus am 28. Juli 1830
  2017
• Michael van Ofen
  "The wife of a Timucuan chief" by John White after Jacques Le Moyne
  2016
• Michael van Ofen
  Virtue Turn 9
  2017
• Michael van Ofen
  Plants and tattoes after Jean-Baptiste Debret
  2016
• Michael van Ofen
  Virtue Turn 8
  2016
• Michael van Ofen
  Untitled (After unknown artist)
  2016
• Michael van Ofen
  Untitled
  2015

In past Exhibition

• Michael van Ofen
  “GERMANIA UND ITALIA”. The Continuance of the Contemporary

  Oct 6th, 2013 – Jan 31st, 2014
  Collezione Maramotti, Reggio Emilia

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