Lothar Hempel

• Senza Fine, Mehdi Chouakri, Berlin

• Freitag der 13., Mehdi Chouakri, Berlin

• Gregor Hildebrandt | Lothar Hempel: Tell Me About Me, Galería Casado Santapau, Madrid

• Le Terrain Vague, Stuart Shave / Modern Art, London
• GARGOYLE, ITALIC, Berlin

• Oral Heart, Anton Kern Gallery, New York
• Future Music, Galería Casado Santapau, Madrid

• Working Girl, Sies + Höke, Düsseldorf
• Sex and the City, Art:Concept, Paris

• Tropenkoller, Stuart Shave/Modern Art, London

• PEOPLE LIKE YOU MAKE IT EASY, Anton Kern Gallery, New York
• Luggage and Observations, Galerie Klaus Gerrit Friese, Stuttgart

• Songs for the Blind, Hezi Cohen Gallery, Tel Aviv
• Loneliness is a cloak you wear, a deep shade of blue is always there, Gerhardsen Gerner, Berlin
• Art Basel Parcours, Museum Kleines Klingental, Basel

• The Story of the Old New Girls, Art:Concept, Paris
• Opium, La Conservera, Ceuti

• Suedehead, Anton Kern Gallery, New York

• Silberblick / Squint, Stuart Shave/Modern Art, London
• Lothar Hempel: ZOO, Sadler's Wells, London
• Pyramix Pix, c/o – Gerhardsen Gerner, Berlin

• Kats, Nerves, Shadows & Gin, Anton Kern Gallery, New York
• Rise and Fall, MGM, Oslo
• Cafe Kaputt, Gio Marconi, Milan

• Casanova & Other Problems, Stuart Shave/Modern Art, London
• Casanova, Douglas Hyde Gallery, Dublin
• Signal, Galerie Art: Concept, Paris

• Alphabet City, Magasin – Centre National d’Art Contemporain, Grenoble
• Stuart Shave/Modern Art, London
• Effetti Speciali, Atle Gerhardsen, Berlin

• Vanessa Baird - Me, myself and the other one, Atle Gerhardsen, Berlin
• Umbrella, Anton Kern Gallery, New York
• Tarantella, Bar Ornella, Cologne

• Casa Musica (extrema), Atle Gerhardsen, Berlin
• Butterfly, c/o Alte Gerhardsen, Art Nova, Art Basel Miami Beach, Miami

• Fieber/Fever: 5 New Paintings and Other Stories, Anton Kern Gallery, New York
• Ikarus, Art:Concept, Paris
• On The Olympus, Unlimited Contemporary Art, Athens
• Versteck!, with Petra Hollenbach, Parkhaus, Düsseldorf

• Der Gesang der Vögel ist Sinnlos! (The Song of the Bird is Nonsense), Anton Kern Gallery, New York

• Diamanten, c/o Atle Gerhardsen, Berlin
• Fleisch: Maschine, Magnani, London
• Concentrations 42, Dallas Museum of Art, Dallas
• Propaganda, Institute of Contemporary Art (ICA), London
• Wespennest, Dallas Museum, Dallas

• Magnet, Art:Concept, Paris

• Das Orakel l’chelt. das Orakel lacht. das Orakel l’chelt, Ars Futura Galerie, Zurich
• An Schlaf ist Nicht zu Denken, Lab of Gravity, Hamburg
• Wespennest (Wasps Nest), Anton Kern Gallery, New York

• Amerika Verschwindet nur das Lächeln Bleibt (America Disappears Only the Smile Remains), Anton Kern, New York
• KAPUTT und die Folgen (Kaputt and the Consequences), Robert Prime, London
• Videos, Centre Saint Gervais, Geneva

• Ein Sandstrand voll Glas (A Beach Full of Glass), Galerie Daniel Buchholz, Cologne
• Kunstschnee will Schmelzen, Bureau Amsterdam, Stedelijk Museum, Amsterdam

• Samstag Morgen, Zuckersumpf, Robert Prime, London
• This Bittersweet Disaster, Anton Kern Gallery, New York

• Strom, Anton Kern Gallery, New York
• FRAC Languedoc Roussillon, Montpellier
• The Bienenkorb Times, Galerie Daniel Buchholz, Cologne

• LOW, Artistbooth, Cologne Art Fair, Cologne
• LA BOUM, with Thorsten Slama, New Reality Mix, Stockholm
• OMRON, six videos by Lothar Hempel, Preview Theatre Wardour Street, London
• Bewegungslehre (No Future), Buchholz und Buchholz, Cologne

• 240 Minuten, with George Graw, Galerie Esther Schipper, Cologne

• DOMINO 3, Salve, Berlin
• Tales of Manhattan, Anton Kern Gallery, New York

• Studio Berlin, Berghain, Berlin
• Restons Unis: Grands Soirs et Petits Matins, Galerie Perrotin, Paris

• where are we now, Nymphius Projekte, Berlin

• Modern Sculpture, Galería Casado Santapau, Madrid

• IMPLOSION 20. Celebrating 20 Years, Anton Kern Gallery, New York
• Theories of Modern Art, Modern Art, London

• LA VA, Uwe Henneken & Lothar Hempel, Appartement, Paris
• Love, Nymphius Projekte, Berlin
• The Kaunas Biennial, curated by Nicolas Bourriaud, Kauno, Latvia
• Image Objects, Public Art Fund, City Hall Park, New York

• Luggage and Observations, Galerie Klaus Gerrit Friese, Stuttgart

• Ceremonie, curated by Timothee Chaillou, Melinda Gloss, Paris
• Experience Pommery #11, curated by Florence Derieux, FRAC Champagne-Ardenne, Reims

• Voice of The Triangle, Stuart Shave/Modern Art, London
• Experience Pommery, Domaine Pommery, Reims
• It’s Always Summer on the Inside, Anton Kern Gallery, New York
• Blind Cut, Marlborough Chelsea, New York
• Without Hope, Without Fear, Mottahedan Projects, Al Quoz, Dubai
• Tomorrow, Die Bastei, Cologne
• Accrocharge, Gerhardsen Gerner, Berlin

• Herzliya Biennial for Contemporary Art, Herzliya
• Space Oddity, CCA Andratx, Mallorca
• The Bell Show, Lüttgenmeijer, Berlin
• portraits & faces, heldart, Berlin
• Synecdoche, Bourouina Gallery, Berlin

• IDEOLECT, curated by Dirk Snauwaert, as part of the festival “Poetry in double time. A small lovely rustling Revolution”, various locations, Bruges
• Crosstown Traffic, Wentrup, Berlin
• Cinematique, esthetique, politique, hermetique, Art:Concept, Paris
• Qui Es-Tu Peter? (Who Are You Peter?), Louis Vuitton Cultural Space, Paris
• The Artist’s Museum, Museum of Contemporary Art Los Angeles, Los Angeles
• Storytellers, Centre d'art contemporain / Passages, Troyes
• Plus Ultra - Opere dalla Collezione Sandretto Re Rebaudengo, MACRO, Testaccio, Rome

• Art by the Sea, Beaufort 03, Triennial for Contemporary Art, Ostend
• SCULPTURE SHOW, Eastside Projects, Birmingham
• Jean-Luc Blanc: Opéra Rock, curated by Alexis Vaillant, CAPC Musée d`Art Contemporain de Bordeaux, Bordeaux
• Heaven, Athens Biennale, Athens
• Biennale Estuaire Nantes - St. Nazaires, Fond régional d`Art Contemporain des Pays de la Loire / Hangar à bananes, St. Nazaire
• Art Foundation Mallorca, Centro Cultural, Andratx CCA, Andratx
• Festival de la creation du Centre Pompidou, Conciergerie, Paris
• Birds love fish, CHERT, Berlin
• Un Plan simple, Maison populaire, Centre d’art Mira Phalaina, Paris-Montreuil

• Sphinxx, curated by Alexis Vaillant, Stuart Shave/Modern Art, London
• 7th Gwangju Biennale, Gwangju
• A show of many parts, each part more spectacular and elaborate than the last, curated by Kirsty Ogg, The City Gallery, Leicester
• Martian Museum of Terrestrial Art, Barbican Art Gallery, London
• Lustwarande 08 - Wanderland, Tilburg
• La Fete Est Permanente / The Eternal Network, FRAC – Champagne-Ardenne, Reims
• Art Berlin Contemporary 2008, Atle Gerhardsen, Berlin
• Family and Friends, Anton Kern Gallery, New York
• Lust warande, Skulpturenpark, Tilburg
• Mistery of the Invisible Clock, curated by Joshua Nathanson, Karyn Lovegrove House, Hancock Park, Los Angeles

• Effigies, Stuart Shave/Modern Art, London
• Pale Carnage, Arnolfini, Bristol, touring to Dundee Contemporary Arts, Dundee
• Half square, half crazy / À demi carré, à demi fou, Centre National d’Art Contemporain de la Villa Arson, Nice
• Very Abstract and Hyper Figurative, curated by Jens Hoffmann, Thomas Dane Gallery, London
• Galleri MGM, Oslo
• Imagination becomes Reality. Werke aus der Sammlung Goetz, ZKM – Museum für Neue Kunst, Karlsruhe
• L.A. Desire, Dennis Kimmerich, Düsseldorf

• The Triumph of Painting - Part 4, The Saatchi Gallery, London & Leeds City Art Gallery, Leeds
• Implosion, Anton Kern Gallery, New York
• Pelouses autorisees, Parc de la Villette, Paris
• Angela Bulloch, A K Dolven, Olafur Eliasson, Ceal Floyer, Liam Gillick, Lothar Hempel, Rirkrit Tiravanija, Galleri MGM, Oslo
• I Love My Scene: Scene 1, curated by Jose Freire, Mary Boone Gallery, New York

• Growing Up Absurd, Kent Institute of Art and Design, Kent
• The Difference between you and me, The Ian Potter Museum of Art, Melbourne
• Imagination becomes Reality, Part II. Painting Surface Space, Sammlung Goetz, Munich
• Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin
• World artists now!, Bijutsu Shuppan-Sha, Tokyo
• Tombola, Kjubh, Cologne, Germany

• She’s Come Undone, curated by Augusto Arbizo, Artemis Greenberg Van Doren Gallery, New York
• Now is a Good Time, curated by Dean Valentine, Andrea Rosen Gallery, New York
• The Snow Show, Tate Liverpool, London
• The Snow Show, curated by Lance Fung, Cities of Kemi and Rovaniemi, Lapland
• Curb Your Enthusiasm, Millers Terrace, London
• The Drawing Project, Vamiali’s, Athens
• Creative Growth, CCA, San Francisco

• Dark Shadows, Marc Foxx Gallery, Los Angeles
• Michael Kohn Gallery, Los Angeles
• Hands Up, Baby, Hands Up! 160 Jahre Oldenburger Kunstverein, 160 Arbeiten auf Papier, Oldenburger Kunstverein, Oldenburg

• Schöne Aussicht, Galerie Otto Schweins, Cologne
• It’s Unfair!, Museum de Pavilijoens, Almere
• Accrochage, Atle Gerhardsen, Berlin
• Internationales Netzwerk, Fluxus und die Folgen, Karstadt Wiesbaden, Wiesbaden
• Les vertus sont des titres, les souffrances sont des droits. Exposition de la collection du Frac Poitou-Charentes, Hotel Saint-Simon / Theatre d’Angouleme, Angouleme

• A New Horizon, Art:Concept, Paris
• Uniform: Order and Disorder, P.S.1, New York
• Und Keiner Hinkt 22 Wege vom Schwegler Wegzukommen, Museum Kurhaus Kleve; Kunsthalle Düsseldorf, Düsseldorf,
• Drawings, Galeria Sales, Rome
• I LOVE New York, Anton Kern Gallery, New York
• Beauty Of Intimacy - Lens and Paper, Kunstraum Innsbruck, Innsbruck

• Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago
• 10 Jahre Ars Futura, Ars Futura, Zurich
• Portraits, Thomas Rehbein Galerie, Cologne
• Beauty of Intimacy? - Lens and Paper: The Loudon Collection, Gemeentemuseum, Den Haag; Staatliche Kunsthalle Baden-Baden, Baden-Baden

• Titles for Drawings, AC Project Room, January, New York
• oldNEWtOWn, Casey Kaplan, January, New York
• Who, if not we?, curated by Yilmaz Dziewior, Elizabeth Cherry Contemporary Art, Tucson
• Nur Wasser Lasst sich Leichter Schneiden, Projektraum Hafen, Hamburg
• Dessins, Forde Gallery, Geneva
• A Radiant Future, Forde – Espace d’art contemporain, Geneva
• Officina Europa, Galeria d’Arte Moderna, Bologna

• Conspirazione, Fondazione Sandretto Re Rebaudengo, Turin
• Roommates, Van Loon Museum Amsterdam
• Yesterday Begins Tomorrow: Ideals, Dreams, and the Contemporary Awakening, curated by Francesco Bonami, Bard College, New York
• Galerie Daniel Buchholz, Cologne
• El NiÑo, Städtisches Museum Abteiberg, Mönchengladbach
• ars viva 98/99 - Installationen, Brandenburgische Kunstsammlungen Cottbus; Kunstverein Braunschweig; Portikus, Frankfurt am Main
• Zone, Fondazione Sandretto Re Rebaudengo, Turin

• Group Show: Painting, Photography, Drawing, Anton Kern Gallery, New York
• Aura, (with Walter Dahn, Rosemarie Trockel & Dirk Bell) Galerie Ars Futura, Zurich
• X 2, Wiener Secession, Vienna
• Panic, ICA, London
• Palais des Beaux Arts, Brussels
• Surprised, Kunsthalle Nürnberg, Nürnberg
• Bring your own Walkman, W 139, Amsterdam
• Delta, a geographical expression, curated by Francesco Bonami, Musèe d'Art Moderne de la Ville de Paris, Paris
• Cologne show, Goethe Institut, Turin

• Glockengeschrei nach Deutz, das Beste aller Seiten!, Daniel Buchholz, Cologne
• This really nice, a project with students from the Royal Academy of Arts, Aircondition, Copenhagen
• *TRAFFIC, curated by Nicolas Bourriaud, CAPC Musée, Bordeaux
• PUSH UPS, The Factory, Athens
• AUTO REVERSE 2, Le Magasin, Grenoble
• How Will We behave?, Robert Prime Gallery, London
• Escape Attempts, curated by Simon Sheik and Globe, Christiania, Copenhagen

• Atomic!, Oberwelt Galerie, Stuttgart
• Auto Reverse, Centre Européen de la Culture, Geneva
• The Video Collection, Filmfestival Knokke, Knokke
• Figures, Le Parvis, Centre Meridien, Ibos
• The Moral Maze (Labyrinthe Morale), curated by Liam Gillick and Philippe Parreno, le Consortium, Dijon
• Stoppage, curated by Liam Gillick, CCC Tours, Villa Arson, Nice
• I Confess, Nicolay Art Center, Copenhagen
• Purple 8 1/2, curated by Purple Prose, Galerie Jousse Seguin, Paris
• L’Hiver de l’Amour, Part 2, PS 1, New York
• Aperto, previously unreleased!, curated by Sabrina Grassi, APAC, Nevers
• Photomontage, le Consortium, Dijon
• X/Y, curated by Christine van Asche, Centre Georges Pompidou, Paris
• Palast der Künste, Utopie macht endlose, (Lotus Club), Kölnischer Kunstverein, Cologne

• Sonne München, Galerie Daniel Buchholz, Cologne
• Homegrown, Lotus Club, Cologne
• Grand Prix, Air de Paris, Nice
• L’Hiver de l’Amour, Musée d’art Contemporain de la Ville de Paris, Paris
• Rue des Marins, Air de Paris, Nice
• Residence Secondaire, Galerie Sabrina Grassi, Paris
• 20, curated by Tomaso Corvi-Mora, Galleria Pascale Laccese, Milan
• Caravanserai, Galerie W 139, Amsterdam
• Henry Bond, Olafur Eliasson, Lothar Hempel, Saga Basement, Copenhagen
• Das Studium der Kunstgeschichte..., Schleifschnecke, Künstlerhaus Stuttgart, Stuttgart
• Miniatures, the Agency, London
• Mixbild, Galerie Esther Schipper und Michael Krome, Cologne
• 13 Levels of Meaning, with Henry Bond, Ars Futura, Zurich
• Atomic, Neurotic, Exstatic, curated by Hendrik Larsson, The New ROOM, Guteborg

• Some artists I've been thinking about who fall under the title of: Wouldn't it be more pluralistic to embrace turmoil and/or violence?, Andrea Rosen Gallery, New York
• Galerie Esther Schipper at the Christopher Grimes Gallery, Santa Monica
• Biennale di Venezia, APERTO, Venice
• Summer Show, Galerie Esther Schipper, Cologne
• Future Book Collection, Air de Nice, Nice
• Fuck the System, Villa Rossi, Lucca
• Food for Thought, curated by Felix Gonzalez-Torres, Franklin Furnace, New York
• Phenylovethylamour, Unfair 1993, project by Lothar Hempel and Carsten Hoeller, Galerie Daniel Buchholz, Cologne
• Unplugged, curated by Nicholas Bourriaud, Inter Conti, Cologne
• jeder kind is van marmer, Bloom Gallery, Amsterdam
• Christmasshop, Air de Paris, Paris
• Video, Galerie Sabrina Grassi, Paris
• 7e Semaine Internationale de Video (S.I.V.), Centre pour l’Image contemporaine Saint-Gervais, Geneva

• Prince, Madonna, Marky Mark & Cinderella, Ancient Etablissement Sacré, Liège
• Paradise Europa, BIZART, Copenhagen
• Tattoo Collection, Air de Paris & Urbi et Orbi at the Jennifer Flay Gallery, Paris; Galerie Daniel Buchholz, Cologne; and Andrea Rosen, New York
• Lying on top of a building the clouds seemed to be nearer then they had when I was the street, Galerie Monika Sprüth, Cologne and Le Case D'Arte, Milan
• Galeria Pasquale Leccese, Milan

• Kunstverein Reutlingen: Babylonische Malverwirrung, Reutlinger General-Anzeiger, September. 22

• Allan Kozinn: As Usual, Unusual Offerings From The Kitchen, The New York Times’ ArtsBeat, August 6
• The Kitchen Sets Fall 2014 Season, Featuring Music, Theater & More, Broadway World, August 6

• Lothar Hempel, Aubrey Beardsley at Modern Art, Contemporary Art Daily, January

• Scott Indrisek: Lothar Hempel, in: Modern Painters, November, p. 82-83
• Wayra Schübel: Gong Show bei Micky Schubert, Bell Show bei Lüttgenmeijer, von Hundert, 03/2011, May
• Suedehead, Lothar Hempel at Anton Kern, Juxtapoz, October 21

• Elke Buhr: Aliens im Wunderland, Monopol Magazin, pp. 84–90
• Francesca Chiacchio: Lothar Hempel alla galleria Giò Marconi di Milano, Teknemedia.net, January 15
• Holland Cotter: An Abundance of Room, an Absence of V.I.P. Gloss, in: The New York Times, March 5
• Ghislaine Dantan: Lothar Hempel, kaput. Art magazine, November 6
• Rebecca Geldard: Lothar Hempel, TimeOut, June 16
• Pippa Holt: Art Attack, The Vogue Blog, May 11
• Meike Jansen: Endloser Tanz, taz – Die Tageszeitung, April 28
• Anne Reimers: Der Zeitgeist wird in Berlin erfunden, FAZ.net, October 12
• Laura Schleussner: Lothar Hempel, Flash Art, July-September, p. 112
• Skye Sherwin: Artist of the week 90: Lothar Hempel, Guardian.co.uk, June 3
• Antje Wewer: Klein, aber Soho, Monopol Magazin - Monopol.com, August 5
• Lothar Hempel, von Hundert, June
• Lothar Hempel, Exibart.com, Jamuary 19
• Lothar Hempel, SublimeThings.com, March 20

• T.J. Carlin: Lothar Hempel, “Kats, Nerves, Shadows & Gin”, in: TimeOut New York, Issue 701, March 5–11
• Biennalen, Kunstforum International, No. 196, p. 18

• Kate Butler: Lothar Hempel: Casanova, The Sunday Times, January
• Antonella Guarracino: Lothar Hempel, Exibart.com, February 13
• Linde Rohr-Bongard: Die Talsohle ist durchschritten. Eine entspeckte Art Cologne im Aufwind, in: Kunstforum International, No. 191, p. 386
• Heinz Peter Schwerfel: Schwerfel on Tour: Gwangju-Biennale, Art-magazin.de, September 5
• Christabel Stewart: Hollywood Swingin: Lothar Hempel, in: Tank Magazine, Vol. 5, Issue 4, p. 22–23
• Window Dressed to Impress, The Irish Times, February 27

• Laura Allsop: Make it new: Pale Carnage, Art:Review, March 1, p. 131
• François Aubart; Sadie Woods: Lothar Hempel – Alphabet City, in: Archistorm, March/April, n° 24, pp. 18/19
• Elisa Bonfiglio: Alphabet City. Le suggestioni visive di Lothar Hempel, Kult, February
• Aude de Bourbon Parme: Lothar Hempel. Franck Scurti, in: Art Actuel, March/April 2007, n° 49, p. 31
• Jean-Pierre Chambon: 2 artistes ironiques au Magasin, Les Nouvelles de Grenoble, April, n° 109, p. 45
• Manuel Cirauqui: Memories of a mask, Lapiz, No. 233, May, pp. 66–75
• Séverine Delrieu: La bonne distance, Le Petit Bulletin, February 21–28, n° 606, p. 4
• Anaïd Demir: Pop Art & Crafts, Jalouse, March, n° 98, p. 59
• Jean-Emmanuel Denave: Lothar Hempel, le grand mix, Elle Rhône-Alpes, March 19–26
• Sarah Jane Downing: How modernism explored a nightmarish new world, in: The Big Issue, March 26–April 1, p. 25
• Power Ekroth: Lothar Hempel, Artforum.com, www.artforum.com, March 13
• Jill Gasparina: It is over, is it ?, Zéro Deux, Printemps, n° 41, pp. 30/31
• Minh-An Ha: Lothar Hempel bei c/o – Atle Gerhardsen, Artnet.de, April 27
• Nina Marie Haugen: Tysk samtid, Dagsavisen, May 9
• Daphné Le Sergent: Hempel/Scurti et la question du dispositif contemporain, Lacritique.org, www.lacritique.org, March 19
• Elisabeth Mahoney: Pale Carnage, The Guardian, March 7
• Paule Martigny: Lothar Hempel. Alphabet City au Magasin, in: Mémoire des Arts, March/April, n° 63, p. 17
• Valérie de Maulmin: Lothar Hempel et Franck Scurti, deux artistes au Magasin, in: Connaissance des Arts, April
• Claire Moulène: Lothar Hempel, in: Artforum International, No. 10, Summer, pp. 484–485
• Michaela Nolte: Lothar Hempel, Der Tagesspiegel, April 28, p. 25
• Pierre-Emmanuel Nyeborg: Le mélange des genres, Têtu, l’agenda, March, n° 120, p. 22
• Vincent Pecoil: Lothar Hempel, Flash Art, No. 254, May–June, pp 139f
• Edouard Pouyet: La ville mise en scène, Sortir le Dauphiné, April 4–10, n° 19406, p. 13
• Ken Pratt: Lothar Hempel – Endless Journey, WOUND Magazine, No. 1/08, pp. 244–245
• Lili Reynaud Dewar: Lothar Hempel, Le Magasin, Grenoble, in: Frog Magazine, No. 5, Spring–Summer 2007
• Brigitte Roussey: Poussez les portes du Magasin, Centre national d’art contemporain de Grenoble, Le Tout Lyon, April 21–28
• Jean-Louis Roux: Des décors, Mays pas de coup de theatre, in: Les Affiches de Grenoble, March 2–9, n° 4304, pp. 150/151
• David Shariatmadari: Pale Carnage, Art:Review, May 1. p. 131
• Lucy Steeds: Pale Carnage, Art Monthly, No. 305, April
• Nicolas Trembley: Art de Cologne, Numéro, March 2007, n° 81, pp. 120/122
• Lisa Turvey: Lothar Hempel, in: Artforum International, January, N° 5 XLV, p. 125
• Maurice Ulrich: La foule et l’idéologie, L’Humanité, March 24
• Bart Van der Heide: Lothar Hempel, in: Frieze, October 2007
• Frédérique Verhaeghe: L’art in situ, l’art in city, in: Le Dauphiné Libéré Dimanche, February 11, n° 2801, p. 9
• Lothar Hempel, L’Officiel Galeries et Musées, January 15–March 15, n° 20, p. 7
• Lothar Hempel et Franck Scurti, Les Inrockuptibles, February 6–12, n° 584, p. 76
• Alphabet City, Jasmin, February 19–25, n° 18, p. 38
• Alphabet City de Lothar Hempel, Les Inrockuptibles, May 8–14, n° 597, p. 75
• Lothar Hempel, Isère Magazine, April, n° 81, p. 43
• Lothar Hempel – Franck Scurti, Sortir Ici et Ailleurs, April / June
• Arnolfini, Bristol Magazine, April 1, p. 32
• Pale Carnage, Metro, February 22
• 18. Benefiz-Kunstauktion erlöste 106.000 Euro, Social Times, April 18
• The Artists´ Artist, Best of 2007, Artforum, December 1, p. 125
• The Art Newspaper, Weekend 8/9, Dec (ill. frontpage)

• Ken Johnson: I Love My Scene: Scene 1, The New York Times, February 17
• Edward Leffingwell: Group Exhibitions at Mary Boone, Art in America, June–July
• What’s On, The Art Newspaper, No. 169, Mai

• Noah Chasim: Marvel and Fieber/Fever, Time Out New York Magazine, January 13–19, p. 57

• Peter Chapman: Rhinegold – Art from Cologne, The Independent, London, June 6
• Matthew Gurewitsch: The Snow Show, Scandinavian Review, July 1
• Sue Hubbard: The Ego has landed,in: The Independent, London, July 13

• Julia Dawson: The Snow Show, The Architectural Review, April 1
• Melissa Gronlund: Lothar Hempel, Contemporary, No. 52, p. 76
• Fabian Stech: Ich bin eine Frau, ich lebe in meinem Jahrhundert, ich bin Feministin, Ein Gespräch mit Sylvie Fleury, Kunstforum International, No. 167, p. 208

• Morgan Falconer: London: ICA / Lothar Hempel: Propaganda, In: Contemporary. Rubrique Review, Novembre 2002, p. 84
• Fisun Grüner: Don´t Believe the Hype, Metro, London, September 24
• Nick Hackworth: Making Light of Heavy Themes, in: The Evening Standard, London, September 25
• Heinz-Norbert Jocks: "Mich interessiert Kunst, die Wirklichkeit reflektiert" . Ein Gespräch mit Yilmaz Dziewior, Leiter des Kunstvereins in Hamburg, Kunstforum International, No. 158, p. 392
• Vincent Pécoil: Lothar Hempel at Art: Concept, Paris, arttext, Spring
• John Russel Taylor: Road from Nowhere, in: The Times, London, September 25
• Benjamin Weil: Lothar Hempel, Flash Art, May–June
• Lothar Hempel, ICA. ARTPREVIEW, September
• Lothar Hempel, I-D Magazine, September

• Johannes Meinhardt: The Beauty of Intimacy - Lens and Paper, Kunstforum International, No. 157, p. 356
• Roberta Smith: A Benefit for ‘ers of Art and New York, The New York Times, November 1
• Deutsche Galeristen in New York, Handelsblatt, August 10

• Jörn Ebner: Lothar Hempel, artist – Kunstmagazin no. 43, February, pp. 30–33
• Amine Haase: Bad-Rituale und Biennale-Beiträge. Ein Gespräch mit Andreas Dornbracht, Kunstforum International, No. 153, p. 435
• Justin Hoffmann: Lothar Hempel. ars Futura Galerie, Zürich, Kunstforum International, No. 150, S. 430
• Justin Hoffmann: Lothar Hempel, Kunstforum, Bd. 150, April–Juni, p. 430
• Kunst-Szenen/Lothar Hempel, Neue Züricher Zeitung, January 19

• Michael Archer: Lothar Hempel. Robert Prime, Art Monthly, no. 225, April, pp. 29–30
• Bill Arning: Lothar Hempel: America Disappears / Only the Smile Remains, Anton Kern, Time Out New York, April 29–May 6, p. 65
• Jennifer Higgie: Let’s get lost. Jennifer Higgie on Lothar Hempel, frieze, issue 48, September–October, pp. 86–89
• Alice Koegel: Statements 003.99. Douglas Gordon, Lothar Hempel, Rosemarie Trockel und Benjamin von Stuckrad-Barre, Kunstforum International, No. 144, p. 366
• Martin Pesch: Installationen. Portikus, Kunstforum International, No. 145, p. 380
• Jan Verwoert: Lothar Hempel, Springerin, No. 2, March-June
• Letzte Chance, Frankfurter Allgemeine Sonntagszeitung, April 18
• Auf Montage: die Kunst. Fünf wackere Installateure werkeln im “Portikus”, Frankfurter Rundschau, March 13

• Knud Ebeling: Après-Art in Berlin Mitte, Der Tagesspiegel, October 2
• Liam Gillick: Surviving survival, Lothar Hempel`s rigged rooms, http://www.smba.nl/shows/37/37.htm, March
• Benjamin Weil: Lothar Hempel, Flash Art, March/April, p. 108
• Lothar Hempel, Metropolis M, No. 4, pp. 46–47
• Nachrichtenforum: Preise und Stipendien, Kunstforum International, No. 141, p. 20

• Jan Avgikos: Angus Fairhurst and Lothar Hempel, Anton Kern Gallery, Artforum, No. 6, February, p. 90
• Jennifer Higgie: Lothar Hempel. Robert Prime, London, frieze issue 37, November/December, pp. 78–79
• Sarah Kent: Lothar Hempel, in: Time Out London, No. 1405, July 23–30
• Anne Philippi: Fashion. Der Laufsteg der Gebrauchtwaren, in: Spex
• Marta Schwendener: Lothar Hempel: This Bittersweet Disaster, Anton Kern Gallery, Time Out New York, May 8–15, p. 49
• Dan Cameron: Glocal warming, Artforum International, Dec 1
• Samstag Morgen, Zuckersumpf, Frankfurter Allgemeine Zeitung, July 19
• Gespinste aus Raum und Zeit, Neue Züricher Zeitung, February 24

• Carl Freedman: Traffic, Frieze, No. 28, May, pp. 75–76
• Christiane Schneider: Hempel, Höller, Eliasson, Metropolis M, January
• Barbara Steiner: Marek Garage, Lotusclub und anderes, in: Nach Weimar (exhibition catalogue), Kunstsammlungen zu Weimar, pp.113–118, 220–225
• Giorgio Verzotti: Traffic, in: Artforum, May

• Norbert Messler: Förderkojen, Art Cologne, in: Kunstforum International, No. 129, p. 419
• Ausstellen oder Die Kunst, einen Rohbau zu füllen, in: Frankfurter Allgemeine Zeitung, December 7

• Andreas Denk: fireproof / feuerfest. Wandelhalle e.V. im Haus Gereonswall 15, Kunstforum International, p. 356

• Benjamin Weil: Souvenirs des immatériaux, in: Purple Prose, vol. 3, Summer, pp. 66–68

• Gregor Schwering: Junge Kunst aus Köln, ZYMA, November