DJ Simpson
Publications / Projects / Catalogues
- 2008
- DJ Simpson, Art World, Issue 8, December 2008 / January 2009
- Superstratum, Koraalberg Contemporary Art, Antwerpen, 2008
- Plasticismes – pràctiques abstractes avui, „SA NOSTRA“ Caixa de Balears, 2008
- 2007
- Echo Room – Art from Britain, Consejería de Cultura y Deportes and British Council, London / Alcala 31, Madrid 2007
- Draw, Conversations around the legacy of drawing, Middlesbrough Institution of Modern Art, 2007
- 2006
- DJ Simpson: Selected Works 2000 — 5, Warwick Arts Center, Coventry, 2006
- floating forms, abstract art now, cat., Wilhelm-Hack-Museum, Ludwigshafen, 2006
- 2005
- The Nature of Things, by Birmingham Museums and Art Galleries
- Zeigen, Audiotour by Karin Sauder through the Collection of Helga de Alvear, CD, 2005
- 2004
- Britannia, Works, cat. Ileana Tounta Contemporary Art Centre, Xippas Gallery, the Breeder, Athen, 2004
- Freefall, cat. ACE, 2004
- Transmmisions, Print Portfolio (1×25), 2004
- 2003
- Transmmisions, Artist’s in Conversation, Book, 2003
- New Abstract Painting—Painting Abstract Now, Abstraktion in der neuen Malerei, Museum Morsbroich, Leverkusen, 2003
- Sammlung Melitta, cat. Minden, 2003
- 2002
- Dj Simpson, ExCentric Abstraction, cat. Positionen zur Malerei XIV im Ausstellungsraum Münster, 2002
- Painting as a Foreign Language, Edificio Cultura Inglesa/Centro Brasileiro Britânico, 2002
- Site 6, Haus Am Meer, Limited Edition (1×25), 2002
- Een Collectie/A Collection, cat. 2002
- Shine, cat. The Lowry, Salford, 2002
- 2001
- Tailsliding, cat. Contemporary Art Center, Vilnius, 2001
- Open Plan, cat. Alpha delta Gallery, Artio Gallery, Athens, 2001
- Eyestorm, Edition (5×25), 2001
- New Labour, cat. Saatchi Gallery London, 2001
- Beck’s Futures 2, cat. ICA – Institute of Contemporary Arts London, 2001
- 2000
- British Art Pt 2, cat. 2000
- Everything Magazine, No. 3.3, Artist Project, 2000
- 1999
- Formerly, cat. Jerwood Gallery, London, 1999
- Elastic Abstract, Spacex Gallery, Exeter, 1999
- New Contemporaries, cat. Liverpool Biennial, Beaconsfield, London, 1999
- Zauberhaft, (with David Burrows), cat. Büro für Kunst, Brose Eiermann, Dresden, 1999
- 1998
- cat. Proposition Gallery, New York, 1998
- Unit, cat. 1998
Articles
- 2005
- Guía de Madrid, in: ABC, Madrid, p. 55, 9-15 December 2005
- Carlota de Alfonso, in: El Punto de las Artes, No. 809, p. 6, 9-15, Madrid, December 2005
- Abel H. Pozuelo: El Cultural, El Mundo, Madrid, p. 40, 22 December 2005
- Top 5, in: The Guide, The Guardian 14 May 2005
- Fisun Güner: Review, in: Metro, April 2005
- Laura Cumming: Tales from the Shanty Town, in: Observer, 27 March 2005
- Editorial Architecture and Urbanism: Vital Arts, in: Art and Architecture Journal, February 2005
- James Parker: The Art of Caring, in: HD Magazine, January 2005
- 2004
- Barrie Evans: Millstone to Milestone, in: The Architects Journal, 11 November 2004
- Gareth Gardner: Art for Bart’s Sake, in: Project of the Month, FX Magazine, November 2004
- Tina Sotirandi: Britannia Works, in: Time Out (Athens), 20-27 May 2004
- Barts: Artnotes, in: Art Monthly No. 279, September 2004
- Maey Kennedy, in: The Guardian, 27 September 2004
- Henrietta Thompson: Bart’s New Art, in: Blueprint No. 224, October 2004
- Edgar Schmitz:…und dann immer weiter, in: Kunstforum International No. 171, July/August 2004
- Robert Garnett: Dat Meen Je Niet (You Can’t Be Serious): On The Ethics & Politics of Humor In Contemporary Art, in: Metropolis M (Amsterdam) No. 3, Juni/Juli 2004
- 2003
- Sally O’Reilly: 15/1, in: Art Monthly No. 269, 2003
- Mick Finch: The Nightshift, in: Contemporary, No. 58, 2003
- Nicholas Chambers: review of Sample Scatter Synthesis (Amplified), in: Broadsheet, 2003
- Anne Loxley: review of Sample Scatter Synthesis (Amplified), in: Sydney Morning Herald, 2003
- Sotiris Kyriacou: New Abstract Painting. Previews, in: Contemporary No. 52, 2003
- Kultur Szene Lev, Abstraktion in der neuen Kunst, in: Rheinische Post, 2003
- Neue abstrakte Malerei in Leverkusen, in: Welt am Sonntag July 20th 2003
- Claudia Posca: Doch, ach die Bilder blieben, in: NRZ 24 June 2003
- Matthias Weiss: Verletzte Bild-Haut, in: Westfälischer Anzeiger August 7th 2003
- 2002
- Lisa Lefeuvre: The W-hole Story—on Gordon Matta-Clark, in: Art Monthly No. 255, 2002
- Suhail Malik: Painting As Contemporary Art, in: Painting as a Foreign Language, Edificio Cultura
- Inglesa/Centro Brasileiro Britânico, 2002
- Phil Griffin: Hang The DJ, in: City Life, September 2002
- Robert Garnett: ExCentric Abstraction, in: Dj Simpson, ExCentric Abstraction, cat. Positionen zur Malerei
- XIV im Ausstellungsraum Münster, 2002
- Gail B. Kirkpatrick: Malerei Pur, in: Dj Simpson, ExCentric Abstraction, cat. Positionen zur Malerei XIV im
- Ausstellungsraum Münster, 2002
- Tineke Rijenders: Routerman_, in: kM (Amsterdam), Najaar No. 43, 2002
- 2001
- de Cruz, Gemma / Ellis, Patricia: Aperto London, in: Flash Art, October 2001
- Kent, Sarah: Review New Labour, in: Time Out, London May 8th 2001
- Louisa Buck: Moving Targets 2, 2001
- Alex Coles: review, in Artext No. 75, January 2001
- Bergens Tidende: Tailsliding, in: Sissel Dagsland, October 12th 2001
- Jonathan Jones: If I Had a Hammer…..New Labour Show, in: The Guardian, May 5th 2001
- Richard Dorment: New Labour, in: The Art Newspaper, May 2001
- Patricia Ellis: New Labour, cat. Saatchi Gallery, London, 2001
- Matt Collings: Beck’s Futures_, cat. ICA Institute of Contemporary Arts London, 2001
- Matt Collings: Art Crazy Nation, No. 21, 2001
- Beech, David / Chilver, John: Becks Futures, cat., ICA Institute of Contemporary Arts London, 2001
- James Hyde: Review, in: Art in America, USA, February 2001
- Niru Ratnam: The Face, London, March 2001
- Lucy Spriggs,: Beck’s Futures, in: Art Review, London, April 2001
- Profile, Beck’s Futures, in: Dazed & Confused, London, April 2001
- Adrian Searle: Review, Beck’s Futures, in: The Guardian, 3 April, London, 2001
- Martin Coomer: Preview, Beck’s Futures, in: Time Out, London, March 28th—April 4th 2001
- Laura Cumming: Review, Beck’s Futures, in: The Observer, London April 1st 2001
- Richard Dorment: Review, Beck’s Futures, in: The Daily Telegraph, London April 4th 2001
- Nick Hackworth: Review, Beck’s Futures, in: Evening Standard, London April 5th 2001
- 2000
- Sarah Kent: DJ Simpson, Review, in: Time Out, London, February 9th—17th 2000
- Hellen Sumpter: Shortlist – Big Issue, London, 14-20 February 2000
- Fisun Güner: Review, in: What’s On, London, 16-23 February 2000
- Niru Ratnam: Tool Intentions, in: The Face, London, March 2000
- Louisa Buck: Simpson’s boundaries, in: Art Newspaper, London, February 2000
- Jonathan Jones: Exhibitions, in: The Guardian Guide, London, 3 February 2000
- Angela Lubrano: Last Chance—Evening, in: Standard, London, 28 February 2000
David Burrows: Abstract Art, in: Art Monthly, London, March 2000 - JJ Charlesworth: Review, The Raft, in: Art Monthly, London, March 2000
- Michael Archer: Review, in: Artforum, New York, March 2000
- Mark Godfrey: Review, in: Contemporary Visual Arts, London, March 2000
- Stuart Shave in: I-D, London, May 2000
- 1999
- Martin Herbert: Formerly, in: Jerwood Gallery, London 1999
- Thomas Trevor: Elastic Abstract, Spacex Gallery, Exeter, 1999
- Martin Coomber: Wild Life, Review, in: Time Out, London, October 6th—13th 1999
- Stuart Shave: Formerly, Review, in: I-D, London, No.188, 1999
- Shahin Afrassiabi: DJ Simpson, Review, in: Flash Art, Milan, No. 206, 1999
- John Tozer: Cluster Bomb, Review, in: Art Monthly, London, No. 224, 1999
- Mark Currah: Formerly, Review, in: Time Out, June 30th—July 7th 1999
- Michael Archer: Heart and Soul, Review, in: Artforum, New York November 1999
- Louisa Buck: Elastic Abstract, in: Art Newspaper, London, June 1999
- Hannah Wingrave: Elastic Abstract, in: Flash Art, Vol XXXII, No. 208, October 1999
- Richard Reynolds: Elastic Abstract, in: Exeter Flying Post, No. 241, October 1999
- Deborah Robinson: Elastic Abstract, in: Artist Newsletter, November 1999